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African Blackwood SJ

African Blackwood back and sides. An “LS” Redwood top. Wide paua rosette. Paua top perimeter edging, back center strip, and end wedge borders. Hummingbird inlay by Craig Lavin.


Quilted Sapele “Collector Series” SJ

A highly figured Quilted Sapele Olson SJ. This guitar has all the options! Bearclaw Sitka spruce top. Paua top edge with Paua 42 style fingerboard extension. Paua back edge perimeter and center strip. “One of a kind” Snake wood and Paua rosette. Snake wood bindings with Snake wood Paua end wedge . Paua fingerboard and headstock perimeter edging. Full vine inlay on fingerboard and partial vine on headstock front. Sapele peghead back veneer with WBW purfling and ebony edging. All inlay and every aspect of construction performed soley by Jim. Includes “Deluxe” Calton case.


Brazilian SJ “Peacock” guitar

A nicely figured Brazilian SJ cut-away with a European Spruce top. Wide paua rosette. Paua top perimeter edging, back center strip, headstock and end wedge borders. Peacock inlay by Larry Robinson.


Brazilian Rosewood SJ

Straight grained and nicely figured “Old Growth” Brazilian Rosewood SJ. Master Grade Western Red Cedar top. Brazilian rosewood fingerboard bound in Ebony,with abalone edging and Paua infilled doves inlays. Brazilian rosewood bridge with Paua infilled doves. Brazilian body bindings with Paua bordered end wedge. Paua abalone top edge and back edge perimeter with no backstrip, Brazilian and Paua rosette. Ebony bound Brazilian headstock face with Paua perimeter edging and Paua infilled “O”.


Quilted Sapelle SJ

A highly figured Quilted Sapelle SJ. Master Grade Sitka spruce top. Paua abalone top edge perimeter with Paua 42 style fingerboard extension. Paua abalone back center strip. Snake wood and Paua rosette. Snake wood bindings with Paua end wedge borders. Snakewood fingerboard with WBW purflings and ebony bindings. Snakewood bridge. Snakewood headstock face with ebony binding and Paua infilled “O”. Sapelle peghead back veneer with WBW purfling and ebony binding. Ebony heel cap with Snakewood insert. Gold 510 gotoh tuners with ebony buttons and “O” logos.


African Blackwood Cut-away SJ

African Blackwood back and sides. Master Grade Sitka spruce top. Brazilian Rosewood binding, Paua top edge, back center strip with Paua bordered end wedge. “Wide” Paua rosette. Ebony headstock face with Larry Robinson “Tuna” inlays on the fingerboard. Ebony peghead back veneer with WBW purfling. Paua perimeter edging on the headstock. Includes “Deluxe” Calton case.


Brazilian Rosewwod SJ

Highly figured Brazilian Rosewood back and sides with a Cedar top. Paua top edge, and end wedge borders. Optional paua fingerboard and headstock edging. Koa bindings, Brazilian headstock veneer with head back inlay. Partial vine inlay done by Jim Olson.


Koa Jumbo Cut-away

A highly figured Koa Jumbo with a three piece back featuring a Brazilian rosewood center wedge. Sitka Spruce top. “Amazed” rosette with Brazilian background. Brazilian back center strip. Brazilian bindings with Brazilian end wedge borders. Wooden vine fingerboard Inlay with WBW and Brazilian edge purfling. Koa infilled “O” on headstock with Brazilian and WBW edging. Koa peghead back veneer with WBW purfling and ebony edging. All inlay and every aspect of construction performed soley by Jim. Includes “Deluxe” Calton case.


Brazilian Rosewood “Stealth” guitar

Figured Brazilian Rosewood back and sides with Master grade cedar top. Nicknamed the “Stealth” guitar because of its minimalistic appointments including a single ring Brazilian rosette. Brazilian top edge perimeter and end wedge borders. Brazilian headplates with Brazilian inset “O” logo.


Quilted Mahogany Cut-away SJ

A Quilted Mahogany Cut-away from the famous “Tree”. Master Grade Sitka spruce top. Brazilian Rosewood binding, top edge, back center strip with Brazilian bordered end wedge. Brazilian and Paua rosette. Highly figured Brazilian headstock face with ebony binding and Paua infilled “O”. Quilted Mahogany peghead back veneer with WBW purfling and ebony edging. Brazilian perimeter edging on the headstock and fingerboard. Paua infilled Doves inlay. Every aspect of construction and all inlays performed soley by Jim. Includes “Deluxe” Calton case.


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James A. Olson Guitars | 11840 Sunset Avenue | Circle Pines, MN 55014
(763) 780-5301 | Fax: (763) 780-8513

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